Patrick Summers was named artistic and music director of HGO in 2011 after having served as the company’s music director since 1998. Some highlights of his work at HGO include conducting the company’s first-ever complete cycle of Wagner’s Ring and its first performances of the Verdi Requiem; collaborating on the world premieres of Tarik O’Regan’s The Phoenix, André Previn’s Brief Encounter, Christopher Theofanidis’s The Refuge, Jake Heggie’s It’s a Wonderful Life, The End of the Affair, and Three Decembers, Carlisle Floyd’s Cold Sassy Tree and Prince of Players, Tod Machover’s Resurrection, and Joel Thompson’s The Snowy Day; leading the American premiere of Weinberg’s Holocaust opera The Passenger, both at HGO and on tour to the Lincoln Center Festival; and nurturing the careers of such artists as Christine Goerke, Ailyn Perez, Joyce DiDonato, Ana María Martínez, Ryan McKinny, Tamara Wilson, Albina Shagimuratova, Anthony Roth Costanzo, Norman Reinhardt, Jamie Barton, and Dimitri Pittas. Maestro Summers has enjoyed a long association with San Francisco Opera (SFO) and was honored in 2015 with the San Francisco Opera Medal. His work with SFO includes conducting Jake Heggie’s Moby-Dick, which was recorded and telecast on PBS’s Great Performances. In 2017, he was awarded an honorary Doctor of Music degree by Indiana University. He was recently named Co-Artistic Director of the Aspen Music Festival’s Opera Theater and VocalARTS alongside Renée Fleming. This season at HGO, he also conducts The Marriage of Figaro; in 2021-22 he conducted The Snowy Day, Dialogues of the Carmelites, and Romeo and Juliet; and in 2019-20 he conducted Saul and Aida. Other recent engagements include Dead Man Walking at the Israeli Opera.